While continuing my adventure into points of view, I discovered a Superpower.
A Writer’s Superpower.
The excerpt refers to a particular point of view.
Limited Omniscient.
There are two types of third-person point of view: omniscient, in which the narrator knows all of the thoughts and feelings of all of the characters in
the story, or limited, in which the narrator relates only their own thoughts, feelings, and knowledge about various situations and the other characters.
But I promised you a Superpower.. I found this quote inside Janet Burroway’s book Writing Fiction. It is too good for me
to keep to myself.
“Although this common form of the limited omniscient may seem very restricted, given all the possibilities of omniscience, it has a freedom that no human being
has. In life you have full access to only one mind, your own; and you are also the one person that you cannot externally observe. As a fiction writer you can do what no human being can do, be simultaneously inside and outside a given character.”
EM Forster Aspects of the Novel
This is Our Superpower. We should use it wisely and well.
No Chat on Wednesday Thanksgiving Eve, November 27th
Choosing a Publisher
Traditional, Independent, Vanity, Hybrid or Self Publishing?
Well, let’s talk about it.
I think some of the lines between these different modes of publishing are sometimes very blurred. How do you know which kind of publishing suits your needs?
Hybrid Publishing came up in a Writerly Group I follow on Facebook. I looked it up and one thing lead to another and of course I want to share my confusion and new-found knowledge with you.
A hybrid press or hybrid publisher is a publishing house that operates with a different revenue model than traditional publishing, while keeping the rest of the practices of publishing the same. The revenue source of a traditional publisher is through the sale of
books (and other related materials) that they publish, while the revenue of hybrid publishers comes from both book sales and fees charged for the execution of their publishing services. To be a hybrid publisher, the longstanding standards and best practices that have been set by publishing industry must be upheld.
Join us in the Chat Room on Wednesday for a mini-topic chat.
The website has been updated for security reasons and with the update a new theme appeared and of course, I began an interior design project. It is still The Writer’s Chatroom, it is a little more secure and the paint should be dry by the time of your arrival.
I was going through some very dusty files and found a submission letter I had sent to an agency in 2007. I entered the agency name into Google to see if the company was still around. Yes, it is. The agent I had addressed was still there and some others had joined the
company.
While I was reading the biographies and needs of the newer agents I came across the term Upmarket Fiction. Yes, I looked it up. Would I trip over a term like Upmarket and not see what was under the tarp?
Let’s talk about it. Wednesday, in the chatroom. 8PM ET.
You may even see it paired with a familiar genre. Upmarket science fiction. Or upmarket contemporary romance.
What is upmarket fiction?
Upmarket fiction is used to describe a book that has a literary feel with commercial appeal. It means that the writing is outstanding, but accessible. The characters focused, but the plot sharp.
One word that kept coming up was the word “upmarket.” The term isn’t brand new, but it seems to be gaining in popularity.
Simply put, it’s fiction that blends the line between commercial and literary. To further examine this, let’s break down those two terms.
It’s literary fiction, so it’s pretty damn good writing, but it has commercial potential. It has the ability to infiltrate lots of book clubs and start discussions and take off as a product. It’s a win-win for everyone. I’ve heard a lot of agents say that they are looking for
“literary fiction with a commercial appeal,” or something like that. Well, one word that does the job of those six is “upmarket,” and that’s why you hear it so much. If you’re writing narrative nonfiction or upmarket fiction, chances are, there are a ton of agents out there willing to consider your work.
Upmarket fiction straddles the line between literary and commercial fiction. The writing is elevated but accessible, the characters appear unique while remaining universal, and the plots are proverbial but unpredictable. Since readers have become wise to the tropes of their preferred genre, agents
and publishers are now searching for books that can exist in either marketplace.
Upmarket fiction combines the best elements of literary and commercial fiction.
Upmarket fiction is a classification or a publishing term, not a genre distinction. Think of the phrase as an adjective since publishers use the term as a selling point—e.g. upmarket science fiction, upmarket mystery, upmarket women’s fiction, et cetera. This term identifies novels that dabble in
both the literary and commercial realms by addressing universal concerns through elevated prose and poignant themes. Many of the novels chosen for our modern book clubs fall into the upmarket fiction category, which is one of the many reasons this label has become popular among agents.
It seems most of the Google trails lead me to general agreement about what Upmarket Fiction means. I’m leaving you with a lot of reading to do. There are dozens of articles about the category and who knows, maybe you want to write some…
