There are a few components that you’ll need to assemble in order to make a complete ebook, especially one that will be accepted for sale by major distributors and online booksellers. This article describes the key parts of an ebook and how to mark up and format them.
Cover Art
Book cover design is a complex balance of images, text, and information — and you need someone who understands how each of these elements interacts with the others to best sell your book.
When looking to hire an editor, you next have to ask yourself where you are in the writing process.
Do you have a completed manuscript, or just an idea that you’d like to flesh out?
Is this your first time writing this kind of project?
Is your project a rough draft?
Will you need ongoing editorial support, or is this a project with a finite timeline?
Think about the status of your project as you review these different types of editorial services. Of course, whether you need someone with online experience also needs to be considered.
We are going to look at the six types of editing given in the article.
Writers and readers are limited by the writing craft when the passage involves time.
The rope tightened around the beam. Brady turned his cap backward and hit the accelerator. As the shed fell a ghost of dust and roof debris lingered in the air for just long enough to register to an observer's eye.
A phone rang inside Mrs. Landrey's house. She rocked forward in her chair and when the effort seemed ridiculous, she settled back and let it ring.
Joline adjusted her backpack. In a single smooth and thoughtless moment she raised the kickstand and pedaled onto the road. A half a tick later the sky seemed to trade places with her feet. She didn't hear it happening.
These three events happened at the same time. Because of the nature of reading it is impossible to present them at the same time.
A writer has to rely upon both the art and the craft.
She may opt to begin and end the narrative with actual clock time and maybe a calendar date as a header and footer.
3:07 PM October 16th 2018 Chicago's east side. Or Take it Nationwide or Worldwide.. Everything leads up to or away from this moment and for decades people will remember where they were when this event happened.
In choosing the order of presentation the writer might consider what is most important to the plot at the moment.
Maybe, the bicycle accident is going to be more important.
Because we cannot present things on a page simultaneously we must take a lot of things into consideration.
I'd probably put each scene on an index card and arrange and rearrange them on a cork-board.
When we are certain a reader is going to accept these thing coinciding at one moment in time, we can take the reader to the next page.
Of course, we can complicate time by telling the story leading up to the first event, then away from the second event involving the missed phone call.
Join us on Wednesday night at 8PM EDT at the Writers Chatroom and we can talk about time.
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3:07 PM October 16th 2018 Chicago's east side.
The rope tightened around the beam. Brady turned his cap backward and hit the accelerator. As the shed fell a ghost of dust and roof debris lingered in the air for just long enough to register to an observer's eye.
A phone rang inside Mrs. Landrey's house. She rocked forward in her chair and when the effort seemed ridiculous, she settled back and let it ring.
Joline adjusted her backpack. In a single smooth and thoughtless moment she raised the kickstand and pedaled onto the road. A half a tick later the sky seemed to trade places with her feet. She didn't hear it happening.
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When You Really have to Tell
As writers, we hear the advice to show, don’t tell. We can almost use it as a mantra. I suspect it is a bit of wisdom used by writers, editors and publishers as an item to tick off of their master lists.
Back in Kindergarten and Grade School we had an event called Show and Tell. It was me who brought the skeletal remains of a bird’s head. I wonder if this information is tucked away in my ancient transcript files along with the admonitions to stop talking aloud in class.
A few days ago, I was in the most dreadful of places with the most dreadful thoughts. I had to describe what I thought was going on inside a dark, damp and messed up place. The beginning of the most recent event happened while eating a 5 Guy’s cheeseburger with a plastic fork.
At first it was unsettling. Something had broken and coming out, it was every bit as big as I imagined it. It actually felt a little better so I downplayed the whole event, until the oook set in and the heat and the oook.
There was no way out of it. I had to go across town and climb up onto a swoopy chair and let strangers move into my mouth with sharp metal picks and hooks and some frozen probe.
For those times when you have to describe a setting, less is more, may apply, but we need to make the less – more.
I am making the effort not to confuse touch with feelings. I am presenting three links to help get us onto Sunday’s Topic. Sometimes You Have to Tell.
Writing Tips: How to Describe Setting using Touch
In terms of show, don’t tell, there are two broad strategies to think about. When used together they are brilliant tools to really paint a picture in your reader’s mind. The first is to use figurative language (but more on this in another post). The second is to use sensory language — to draw upon the five senses to describe the setting.
One of the key things that a passage of descriptive writing should do is appeal to all five of the senses. Appeal to the sense of sight only (how things look) and your writing will lack dimension.
I am leaving you with one more link. This is to a list of words to describe texture.
Describing texture is a problem for both established and new writers, who often forget to write with senses other than sight. In reality, writers should use every sense.
